Fender Cyber-Champ Bedienungsanleitung

Kategorie
Digitale Klaviere
Typ
Bedienungsanleitung
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
2
CyberChamp
Amplifier
This symbol warns the user of dangerous
voltage levels localized within the enclosure of
the unit.
This symbol advises the user to read all
accompanying literature for safe operation of
the unit.
Read, retain, and follow all instructions. Heed all
warnings.
• Only connect the electric line cord to an earth grounded
AC receptacle in accordance with the voltage and
frequency ratings listed under INPUT POWER on the
rear panel of this product.
WARNING: To prevent damage, fire or shock hazard,
do not expose this unit to rain or moisture.
Unplug the AC power line cord before cleaning the unit
exterior (use a damp cloth only). Wait until the unit is
completely dry before reconnecting it to power.
Maintain at least 6 inches of unobstructed air space
behind the unit to allow for proper ventilation and cooling
of the unit.
• This product should be located away from heat sources
such as radiators, heat registers, or other products that
produce heat.
This product may be equipped with a polarized plug (one
blade wider than the other). This is a safety feature. If
you are unable to insert the plug into the outlet, contact
an electrician to replace your obsolete outlet. Do not
defeat the safety purpose of this plug.
• Protect the power cord from being pinched or abraded.
This product should be serviced by qualified service
personnel when: the power supply cord or the plug has
been damaged; or objects have fallen, or liquid has been
spilled onto the product; or the product has been
exposed to rain; or the product does not appear to
operate normally or exhibits a marked change in
performance; or the product has been dropped, or the
enclosure damaged.
Only use a cart or stand with this product that is
recommended by this product’s manufacturer.
The power supply cord of this product should be
unplugged from the outlet when left unused for a long
period of time, or during electrical storms.
Do not drip nor splash liquids, nor place liquid filled
containers on the unit.
CAUTION: No user serviceable parts inside, refer
servicing to qualified personnel only.
• Fender
®
amplifiers and loudspeaker systems are capable
of producing very high sound pressure levels which may
cause temporary or permanent hearing damage. Use
care when setting and adjusting volume levels during
use.
FCC COMPLIANCE NOTICE
This equipment has been tested and found to comply
within the limits for a Class B digital device, pursuant to
Part 15 of the FCC rules. These limits are designed to
provide a reasonable protection against harmful
interference in a residential installation. This equipment
generates, uses and can radiate radio frequency
energy and if not used in accordance with the
instructions, may cause harmful interference to radio
communications and there is no guarantee that
interference will not occur in a particular installation. If
this equipment does cause harmful interference to
radio or television reception, which can be determined
by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or
more of the following measures: reorient or relocate the
receiving antenna, increase the separation between the
equipment and receiver, connect the equipment into an
outlet on a circuit different from that of the receiver.
Consult the dealer or an experienced radio/TV
technician if help is needed.
A PRODUCT OF:
FENDER MUSICAL INSTRUMENTS CORPORATION
CORONA, CA USA
Copyright ©2003 by FMIC
Trademarks
Blackface™, Cyber–Champ™, Champ
®
, Cyber–Twin™, Cyber-Series™,
Deluxe™, Dyna–Touch™, Mr. Gearhead™, Virtual Tone Interpolation™,
Bassman
®
, Deluxe Reverb
®
, Fender
®
, Princeton
®
, Twin Reverb
®
,
and all related logos, are trademarks or registered trademarks of FMIC.
Other trademarks are properties of their respective owners.
II
II
mm
mm
pp
pp
oo
oo
rr
rr
tt
tt
aa
aa
nn
nn
tt
tt
SS
SS
aa
aa
ff
ff
ee
ee
tt
tt
yy
yy
II
II
nn
nn
ss
ss
tt
tt
rr
rr
uu
uu
cc
cc
tt
tt
ii
ii
oo
oo
nn
nn
ss
ss
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
3
CyberChamp
Amplifier
Your new Cyber–Champ™ amplifier is brought to
you by the same Tone–team that created the
Fender
®
Cyber–Twin™ and Cyber-Deluxe™
amplifiers. As the crowning achievements of
Fender’s most advanced research and development
project, Cyber–Series™ amplifiers are endowed
with Fender’s exclusive
Virtual Tone Interpolation
technology (patent number 6,222,110). VTI™
technology enables the Cyber–Champ™ amplifier
to be different amplifiers according to circuit design.
Starting with a virtual circuit board, the
Cyber–Champ™ amplifier "rewires" its fundamental
architecture to become the essence of some of the
amplifier greats — Fender’s Blackface™,
Dyna–Touch™, Tweed and Modern amps, and even
the best of the British amps!
The Cyber–Champ™ amplifier allows you to be the
amp designer. Start with one of 14 permanent amp
and effect setups stored within the Cyber-Champ™
amp—twist some knobs, make some changes, then
save to one of the 7 rewritable preset locations
reserved onboard for your original amplifier designs.
MIDI implementation on the Cyber–Champ™
amplifier enables you to transfer presets to and from
the amp for backup to a PC, or for exchange with
other Cyber–Champ™ amplifier players.
The Cyber–Champ™ amplifier also puts a huge
array of studio–quality effects at your command:
Reverb, Modulation and Delay effects, enough to
satisfy most any sonic appetite. And many are in
stereo, so you can use the headphones jack to
enjoy a fully ambient stereo dimension. The
Cyber–Champ™ amplifier’s Dyna–Touch™ power
amp circuitry and Celestion® speaker deliver
powerful, responsive Tone to you and your
audience. It’s not just loud “on paper.”
• 21 Amp Design presets selectable using the Preset and Bank buttons or a MIDI controller:
• 14 Permanent presets – great amp and effects setups that are always available
• Fender
®
Custom Shop bank – 7 premium amp and effects combinations
Your Amp Collection bank – 7 “stock” classic amplifiers
• 7 Rewritable presets – create and save your own amp and effects setups in the Players’ Lounge bank
• 3 groups of studio–quality effects that can be used simultaneously:
• 4 Reverb types with selectable levels and MIDI–accessible parameters
• 5 Modulation effect types with selectable levels and MIDI–accessible parameters
• 3 Delay effect types with selectable levels and MIDI–accessible parameters
• MIDI implementation:
• 27 Continuous Controllers for adjusting amp settings using external MIDI equipment (sequencer, computer,
foot–controller or Cyber–Series
amplifier)
• Preset–defined Continuous Controller enables foot–pedal control of programmable parameters
• System Exclusive functionality for selective preset management
• Front panel MIDI IN and MIDI OUT ports
Virtual Tone Interpolation™ technology offers 7 Amp Type selections with tone stacks located before or
after the drive circuitry as appropriate
• Hum Reduction algorithm (patent pending) actively seeks out and suppresses environmental “hum”
• On–board digital chromatic tuner
• 65 watts of output power
• 12˝, 8 Celestion
®
speaker
• Stereo headphone/line out jack
FF
FF
ee
ee
aa
aa
tt
tt
uu
uu
rr
rr
ee
ee
ss
ss
TT hh aa nn kk yy oo uu ff oo rr cc hh oo oo ss ii nn gg FFee nn dd ee rr ®®
TToo nn ee ,, TTrr aa dd ii tt ii oo nn aa nn dd II nn nn oo vv aa ttii oo nn ss ii nn cc ee 11 99 44 66
II
II
nn
nn
tt
tt
rr
rr
oo
oo
dd
dd
uu
uu
cc
cc
tt
tt
ii
ii
oo
oo
nn
nn
Operation Essentials
Presets and Banks
The Cyber–Champ™ is instantly reconfigured each time you select a
preset. Use the preset buttons to
select a preset in the current bank. Press the BANK button , then
a preset button to select a preset from another bank. Note that when
you select a preset, the position of each knob will not reflect its actual
setting (except by coincidence) until it is captured . . .
Knob Capture
You must first “capture” control of a knob to adjust the setting.
Capture by turning the knob until the adjacent LED lights up. Once
captured, further adjustments are immediate and audible.
Saving Presets
Captured knob settings are released when you make a preset
selection . . . but you can save all your current settings simply by
holding any preset button in for 2 seconds. Your new preset is saved
into the Players’ Lounge bank, assigned to the button held. Your new
preset is automatically activated.
A. INPUT JACK
Input connection for your guitar. The input level automatically adjusts itself to
ensure an adequate signal level is supplied to the DSP circuitry.
B. GAIN
Controls the distortion level and contributes to the overall amp loudness. Use
VOLUME {C} to adjust for (normalize) any undesired volume level change
resulting from a GAIN level change.
C. VOLUME
Controls the post–distortion signal level and contributes to the overall amp
loudness. Use in conjunction with GAIN {B} to normalize volume differences
between presets.
-40
GAIN
VOLUME
-10
+
+
+
+
+
+
+
+
+
+
+
INPUT
+
+
+
+
+
+
+
+
+
+
+
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
4
Overview
-40
GAIN
VOLUME
TREBLE
MIDDLE
BASS MASTER
INPUT
PHONES
IN
OUT
MIDI
REVERB
MOD. F/X DELAY
PHASER
A
R
E
N
A
H
A
L
L
R
O
O
M
S
P
R
I
N
G
C
H
O
R
U
S
V
I
B
R
A
T
O
N
E
T
R
E
M
O
L
O
D
I
G
I
T
A
L
T
A
P
E
D
U
C
K
I
N
G
+40-10 +10
F
L
A
N
G
E
IN TUNE
CUSTOM SHOP
AMP COLLECTION
PLAYERS LOUNGE
1
1
Over
Over
view
view
Each preset contains a complete set
of amplifier and effects settings.
There are three banks of presets:
CUSTOM SHOP Permanent
AMP COLLECTION Permanent
PLAYERS’ LOUNGE Rewritable
Capture control of a knob by turning it
until the adjacent LED lights up.
Capture happens when the knob
setting matches its actual (internal)
setting stored within the current
preset.
You can save 7 of your own amplifier
and effects settings in the Players’
Lounge bank of presets.
D. TREBLE
Controls the high–frequency tone level.
E. MIDDLE
Controls the mid–frequency tone level.
F. BASS
Controls the low–frequency tone level.
G. MASTER
Controls the overall volume output from the amplifier together with GAIN {B},
and VOLUME {D}. MASTER is the final “volume gatekeeper” limiting the
maximum output level of the Cyber–Champ™ amplifier. The MASTER knob
position (setting) is an absolute limit—even when controlling MASTER with MIDI
messages. MASTER is not preset programmable.
H. REVERB
Selects a Reverb type and level. The level increases going clockwise within
each type as illustrated from off (–), to maximum (+).
I. MOD F/X
Selects a Modulation effect type and level. The level increases going clockwise
within each type as illustrated from off (–), to maximum (+). Set a custom
modulation rate by pressing TAP at least twice at the desired rate. Press TAP
once for the slowest rate possible. There is only one level setting for Phaser.
J. DELAY
Selects a Delay type and level. The level increases going clockwise within each
type as illustrated from off (–), to maximum (+). Set a custom delay interval by
pressing TAP at least twice at the desired rate. Press TAP once for the longest
interval possible.
K. TUNER
Turns the tuner on and off. The tuner “borrows” the preset button lights to
indicate the nearest note and the capture LEDs to indicate flat, in tune, or sharp.
Nearest Note
Fine Tuning
+40+10
IN TUNE
-40 -10
+
+
+
+
+
+
+
+
+
+
+
Half notes are indicated by two
preset button lights. For
example, A and B would light up
to indicate A sharp (B flat).
+
+
+
+
+
+
+
+
+
+
+
Delay Type Description
DIGITAL 130 ms delay, single repeat (panning)
TAPE 300 ms delay, low feedback, medium wow & flutter
DUCKING 460 ms delay, medium feedback, “ducks” out of the way when playing
DELAY
D
I
G
I
T
A
L
T
A
P
E
D
U
C
K
I
N
G
+
+
+
+
+
+
+
+
+
+
+
Modulation Effect Type Description
CHORUS Medium sweep rate with high depth
VIBRATONE Fast rate with medium depth
TREMOLO Fast rate with medium-high depth and duty cycle
FLANGE Slow sweep rate with medium depth
PHASER Medium sweep rate with medium depth
MOD. F/X
PHASER
C
H
O
R
U
S
V
I
B
R
A
T
O
N
E
T
R
E
M
O
L
O
F
L
A
N
G
E
+
+
+
+
+
+
+
+
+
+
+
Reverb Type Description
SPRING Bright Blackface™ Reverb with long decay
ROOM Bright room with medium decay
HALL Medium-bright hall with long decay
ARENA Dark frequency response with long decay
REVERB
A
R
E
N
A
H
A
L
L
R
O
O
M
S
P
R
I
N
G
+
+
+
+
+
+
+
+
+
+
+
MASTER
+
+
+
+
+
+
+
+
+
+
+
The tone controls come before or
after the distortion circuitry,
depending on the Amp Type of
the preset (see Presets starting
on page 7).
TREBLE
MIDDLE
BASS
+40+10
IN TUNE
+
+
+
+
+
+
+
+
+
+
+
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
5
Overview
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
6
Overview
-40
GAIN
VOLUME
TREBLE
MIDDLE
BASS MASTER
INPUT
PHONES
IN
OUT
MIDI
REVERB
MOD. F/X DELAY
PHASER
A
R
E
N
A
H
A
L
L
R
O
O
M
S
P
R
I
N
G
C
H
O
R
U
S
V
I
B
R
A
T
O
N
E
T
R
E
M
O
L
O
D
I
G
I
T
A
L
T
A
P
E
D
U
C
K
I
N
G
+40-10 +10
F
L
A
N
G
E
IN TUNE
CUSTOM SHOP
AMP COLLECTION
PLAYERS LOUNGE
L. PRESET and BANK BUTTONS
The A–G buttons select presets from the current bank as indicated by the color
coded bank LEDs. To activate a preset from a different bank, press the BANK
button one or more times, then press a preset button.
Holding a preset button in for 2 seconds will save the current amplifier settings
to the Players’ Lounge bank under the button held. Your new preset is
automatically activated.
RESET: To reset the Players’ Lounge bank to factory presets, hold down the
A and G preset buttons while turning the Cyber-Champ™ amplifier on.
M. HUM REDUCTION
Turns Hum Reduction on and off. Reduces environmental hum in some
situations using an algorithm that seeks out hum frequencies and squelches
only the “hum” without degrading your music!
N. MIDI IN/OUT
Musical Instrument Digital Interface ports for connecting MIDI devices to the
Cyber–Champ™ amplifier. MIDI can be used to change and manage presets,
adjust settings, activate tuner mode and edit effect parameters. See MIDI
starting on page 9.
O. PHONES
Connect your stereo headphones here. This output jack can also be used as a
stereo line out for connection to sound reinforcement or recording equipment.
P. RED JEWEL
It’s a !
Rear Panel
Q. POWER
Turns the Cyber–Champ™ on and off.
R. IEC CONNECTOR
Connect the included power cord in compliance with the voltage and
frequency ratings on the rear panel of your amplifier.
INPUT POWER
V Hz
180W
+
+
+
+
+
+
+
+
+
+
+
PHONES
+
+
+
+
+
+
+
+
+
+
+
IN
OUT
MIDI
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
Presets and Banks are described
in depth in Presets starting on
page 7.
CUSTOM SHOP
AMP COLLECTION
PLAYERS LOUNGE
+
+
+
+
+
+
+
+
+
+
+
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
7
Presets
2
2
Pr
Pr
esets
esets
This section defines the presets in each bank then describes how to customize
presets and effects.
Custom Shop Bank
The Custom Shop (permanent) presets contain premium amplifier and effect
combinations. Press BANK repeatedly until the red LED lights up, then press a
preset button (A–G) to activate a Custom Shop preset.
CUSTOM SHOP
AMP COLLECTION
PLAYERS LOUNGE
Amp Collection Bank
The Amp Collection (permanent) presets contain classic “stock” amplifiers.
Press BANK repeatedly until the yellow LED lights up, then press a preset
button (A–G) to activate an Amp Collection preset.
CUSTOM SHOP
AMP COLLECTION
PLAYERS LOUNGE
Preset Name Amp Type Reverb Modulation Delay
A Red High-Gain Tweed with ‘59 Bassman® None None 300ms Tape Delay, low feedback
House Pre-Distortion tone controls with medium wow & flutter
B R.I.P. Max-Gain, Modern Heavy Metal Combo Room, dark frequency Chorus, slow sweep None
with Post-Distortion tone controls response with short decay rate with high depth
C Hang 10 Clean Tweed with ‘59 Bassman® Spring, bright Reverb with None 130ms Tape Delay, low feedback
Pre-Distortion tone controls long decay with medium wow & flutter
D Texas High-Gain Blackface™, with vintage Pre- Spring, medium-bright Vibratone, fast rate 130ms Tape Delay, low feedback
Shuffle Distortion Fender® Blackface™ tone controls Blackface™ Reverb with medium depth with medium wow & flutter
E Modified Maximum-Gain Modern Modified Combo None None None
Combo with Post-Distortion tone controls
F Euro High-Gain British Combo with Post- None Tremolo, fast rate None
Trem Distortion tone controls with high depth
G Boris Clean Dyna–Touch™ with None Chorus, slow sweep None
Chorus Pre-Distortion tone controls rate with high depth
Preset Name Amp Type Reverb Modulation Delay
A ‘49 Champ® Crunch Tweed with ‘59 Bassman® None None None
Pre-Distortion tone controls
B ‘55 Deluxe™ High-Gain Tweed, with ‘59 Bassman® None None None
Pre-Distortion tone controls
C ‘65 Princeton® Clean Blackface™, with vintage Pre- Spring, medium-bright None None
Reverb Distortion Fender® Blackface™ tone controls Blackface™ Reverb
D ‘65 Deluxe Crunch Blackface™, with vintage Pre- Spring, medium-bright None None
Reverb® Distortion Fender® Blackface™ tone controls Blackface™ Reverb
E Princeton® High-Gain Dyna–Touch™ with Post- Hall, bright with None 260ms Digital Delay,
65 DSP Distortion tone controls medium decay medium feedback
F British Crunch Jangly British Combo with Pre- Hall, bright with None None
Invasion Distortion tone controls long decay
G Vintage British Crunch vintage British Combo with None None None
Crunch Post-Distortion tone controls
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
8
Presets
Players Lounge Bank
The Players’ Lounge (rewritable) presets are outfitted from the factory with a
variety of amplifier and effects combinations but they are rewritable for your
own preset designs. Press the BANK repeatedly until the green LED lights up,
then press a preset button (A–G) to activate a Players’ Lounge preset.
NOTE: The table (below) will not be valid for presets that you have customized.
RESET: To reset the Players’ Lounge bank to factory presets, hold down the
A and G preset buttons while turning the Cyber–Champ™ amplifier on.
Resetting will erase any custom
presets you have created.
CUSTOM SHOP
AMP COLLECTION
PLAYERS LOUNGE
Preset Name Amp Type Reverb Modulation Delay
A Stadium Higher-Gain British Combo with Post- Arena, bright frequency None 300ms Tape Delay, low feedback
Rock Distortion tone tone controls response with long decay with medium wow & flutter
B Morning Clean Blackface™, with vintage Pre- Room, bright frequency Vibratone, fast rate None
Light Distortion Fender® Blackface™ tone controls response with medium decay with medium depth
C Psychobilly High-Gain Tweed with ‘59 Bassman® Room, dark frequency None 130ms Tape Delay, low feedback
Pre-Distortion tone controls response with medium decay with medium wow & flutter
D Nü-D Maximum-Gain, Modern Heavy Metal Room, dark frequency Chorus, slow sweep 100ms Tape Delay, low feedback
Combo with Post-Distortion tone controls response with medium decay rate with high depth with medium wow & flutter
E Clean Crunch Blackface™, with vintage Pre- Arena, bright frequency None None
Arena Distortion Fender® Blackface™ tone controls response with long decay
F Jazz Clean Dyna–Touch™ with Hall, bright frequency None None
Box Pre-Distortion tone controls response with medium decay
G Barracuda Maximum-Gain, Dyna–Touch™ Room, dark frequency Phaser, medium sweep 350 ms Ducking Delay,
Pre-Distortion tone controls response with medium decay rate with medium depth medium feedback, high ducking
Preset Editing
You can create 7 of your own presets and save them in the Players’ Lounge
bank. First select any preset with the desired Amp Type as the foundation for
your new preset — see the tables on pages 7 and 8. Then adjust the amplifier
settings any way you like. When satisfied, press and hold any preset button
for 2 seconds. Your new preset is saved in the Players’ Lounge bank
(assigned to the button held) and it is automatically activated.
NOTE: The previous contents of the Players’ Lounge preset you are saving to
will be overwritten with your new preset.
Effect EditingAdvanced
Using a computer you can edit effect parameters that are inaccessible through
the Cyber–Champ™ front panel controls. Your modified effect can then be
saved to a Players’ Lounge preset and used in the modified form using the front
panel controls (See Advanced Effect Editing on page 10).
A computer with a MIDI capable
soundcard, appropriate adapters and
a MIDI utility application are required for
advanced effect editing.
You can use a Players’ Lounge preset
as the starting point for a new preset,
but the descriptions in the table above
will no longer be valid for presets you
have customized.
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
9
MIDI
3
3
MIDI
MIDI
This section describes the Musical Instrument Digital Interface (MIDI)
capabilities of the Cyber-Champ™ amplifier. The Cyber–Champ™ amplifier
supports the MIDI standard using the MIDI IN and OUT jacks on the front panel,
both 5-pin DIN jacks. The amplifier uses Channel Messages and System
Exclusive Messages to accomplish the following tasks:
Channel Messages
Switching Tuner and Effects On/Off
You can switch the tuner on and off using MIDI program change 127 in any
bank (00, 01, 02). You can switch the effects (Modulation and Delay) on and off
using continuous controller 85—any value between 64 and 127 turns effects on
and any value between 0 and 63 turns effects off. Reverb is not affected.
Echoing Control Changes
You can control two or more Cyber–Champ™ amplifiers as one by linking their
MIDI ports together. Connect MIDI OUT on the primary amplifier to MIDI IN on
the auxiliary amplifier and so on down the line. The first time each knob is used
you must capture it on all amplifiers before you can adjust the setting on all
amplifiers. To ensure that you have captured a particular setting on all
amplifiers, turn the knob through its full range of values, then to the desired
value. Further adjustments will be synchronized.
Selecting Presets
You can select presets using MIDI program changes. A continuous controller
pedal set to number 11 can be used to control either the Modulation effect rate
or the Delay effect interval according to the program change number used:
MODULATION EFFECT RATE CONTROL
Program
Change # Bank Preset
0A
1B
2C
3 Custom Shop D
4E
5F
6G
10 A
11 B
12 C
13 Amp Collection D
14 E
15 F
16 G
20 A
21 B
22 C
23 Players’ Lounge D
24 E
25 F
26 G
DELAY EFFECT INTERVAL CONTROL
Program
Change # Bank Preset
30 A
31 B
32 C
34 Custom Shop E
35 F
33 D
36 G
40 A
41 B
42 C
43 Amp Collection D
44 E
45 F
46 G
50 A
51 B
52 C
53 Players’ Lounge D
54 E
55 F
56 G
To switch your continuous controller
pedal between Modulation rate and
Delay interval for the same preset,
go up or down 30, respectively. For
example, 15 and 45 are both
preset F in the Amp Collection bank
but 15 controls Modulation rate and
45 controls Delay interval.
All program changes are made in MIDI
bank 00 and are echoed on transmit
channel 1.
See the MIDI Implementation Chart on
page 14 for details.
See the MIDI Implementation Chart on
page 14 for details.
See the MIDI Implementation Chart on
page 14 for details.
IN
OUT
MIDI
+
+
+
+
+
+
+
+
+
+
+
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
10
MIDI
Adjusting Amp Settings
You can adjust any knob on the Cyber–Champ™ amplifier using the following
continuous controller numbers. Values range from 0=off to 127=maximum.
Continuous Parameter
Controller # Setting
07 Master Volume
85 Effects Off/On (0-63=off, 64-127=on)
102 Gain
103 Volume
104 Treble
105 Middle
106 Bass
107 Reserved
108 Master Volume
109 Reverb Level
110 Reverb Time
111 Reverb Dwell (Input)
112 Reverb Diffusion
113 Reverb Tone
114 Modulation Effect Level
115 Modulation Effect Rate
116 Modulation Effect Parameter 2 (see page 11)
117 Modulation Effect Parameter 3 (see page 11)
118 Modulation Effect Parameter 4 (see page 11)
119 Tap Interval
120 Delay Level
121 Delay Time
122 Delay Feedback
123 Delay Parameter 2 (see page 12)
124 Delay Parameter 3 (see page 12)
125 Reverb, Multi-Effects (see page 12)
126 Modulation Effect, Multi-Effects
127 Delay, Multi-Effects
Control changes can be recorded using
a sequencer so that you can play them
back during performances.
A sequencer must first capture knobs
before it can control their settings. To
do this, ramp the continuous controller
through the full range of values, then
return it to the desired value (setting).
The sequencer will then have active
control of the knob (parameter).
NOTE: If sequencer capture is lost (by
manually turning the knob for example)
the sequencer must recapture control
of that parameter to use it again.
See the MIDI Implementation Chart on
page 14 for details.
SPRING, ROOM, HALL, ARENA Parameter value definitions
Level Amount of Reverb (0 is off, 127 is maximum)
Time Duration of Reverb sustain (0 is shortest, 127 is longest)
Dwell Signal level input to the Reverb circuit (versus output level controlled by the REVERB knob). (0 is minimum, 127 is maximum)
Diffusion Density of Reverb from sparse with non–uniform decay, to dense with smooth decay (0 is sparsest, 127 is smoothest)
Tone Brightness of Reverb (0 is darkest, 127 is brightest)
Advanced Effect Editing
Reverb
Reverb parameters in the figure and table below are accessible only by MIDI
continuous controller numbers 109-113 and have a value range of 0-127.
Reverb parameter
Continuous Controller
numbers
All 4 Reverb types have the same
5 editable parameters.
A
R
E
N
A
H
A
L
L
R
O
O
M
S
P
R
I
N
G
REVERB
CC# Reverb (all)
109 Level
110 Time
111 Dwell
112 Diffusion
113 Tone
See the MIDI Implementation Chart on
page 14 for details.
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
11
MIDI
Modulation Effects
Modulation Effect parameters in the figure and table below are accessible for
the current effect type only by MIDI continuous controller numbers 114-118
(except Rate (CC# 115) which is also accessible by the TAP button).
Continuous controller messages have a value range of 0-127.
CC# Chorus Vibratone Tremolo Flange Phaser
114 Level Level Level Level Level
115 Rate Rotor Speed Rate Rate Rate
116 Depth Doppler Freq. Shift Depth Depth Depth
117 Avg. Delay Time Low-Pass Filter Range Offset Feedback Feedback
118 Left/Right Phase Left/Right Phase Shape Left/Right Phase Stereo Spread
PHASER
C
H
O
R
U
S
V
I
B
R
A
T
O
N
E
T
R
E
M
O
L
O
F
L
A
N
G
E
CHORUS Parameter value definitions
Level Amount of the Chorus effect (0 is off, 127 is maximum)
Rate Sweep rate of the Chorus effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)
Depth Amount of Doppler frequency shift and how apparent the Chorus effect sounds (0 is minimum, 127 is maximum)
Average Delay Time Average delay time of the moving Chorus taps (repeats), use higher settings for doubling effect (0 is shortest, 127 is longest)
Left/Right Phase
1
Stereo - Phase between left and right channel low frequency oscillators (0 is minimum stereo effect, 127 is maximum stereo effect)
FLANGE Parameter value definitions
Level Amount of the Flange effect (0 is off, 127 is maximum)
Rate Sweep rate of the Flange effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)
Depth Amount of Doppler frequency shift and how apparent the Flange effect sounds (0 is minimum effect, 127 is maximum effect)
Feedback Amount of the Flange signal that is fed back into the Flange circuit (0 is minimum feedback, 127 is maximum feedback)
Left/Right Phase
1
Stereo - Phase between left and right channel low frequency oscillators (0 is minimum stereo effect, 127 is maximum stereo effect)
PHASER Parameter value definitions
Level Amount of the Phaser effect (0 is off, 127 is maximum)
Rate Sweep rate of the Phaser effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)
Depth Width of the Phaser sweep and how apparent the Phaser effect sounds (0 is minimum, 127 is maximum)
Feedback Amount of Phaser effect processed signal that is fed back (recycled) to the input (0 is minimum feedback, 127 is maximum feedback)
Stereo Spread
1
Stereo - Amount of stereo separation between left and right channels (0 is minimum stereo effect, 127 is maximum stereo effect)
TREMOLO Parameter value definitions
Level Amount of the Tremolo effect (0 is off, 127 is maximum)
Rate Cycle rate of the Tremolo effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)
Depth Amount the volume level drops with each cycle of the Tremolo effect (0 is minimum depth, 127 is maximum depth)
Offset Offset of the low-frequency oscillator (0 is minimum, 127 is maximum)
Shape Smoothness of the Tremolo waveform (0 is subtle and natural, 127 is choppy and percussive)
VIBRATONE Parameter value definitions
Level Amount of the Vibratone effect (0 is off, 127 is maximum)
Rotor Speed Rate of the virtual rotating speaker baffle (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)
Doppler Frequency Shift Amount of Doppler frequency shift and how apparent the Vibratone effect sounds (0 is minimum shift, 127 is maximum shift)
Low-Pass Filter Range Amount of high frequencies in the Vibratone signal (0 is minimum, 127 is maximum)
Amplitude Modulation Depth Amount the volume level varies with each cycle of the Vibratone effect (0 is minimum, 127 is maximum)
Modulation effect parameter
Continuous Controller
numbers
1
This parameter modifies the stereo capabilities of your Cyber–Champ™ amplifier which can be enjoyed using the PHONES output jack.
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
12
MIDI
Delay Effects
Delay Effect parameters in the figure and tables below are accessible for the
current effect only by MIDI continuous controller numbers 120-124 (except
Delay Time (CC# 121) which is also accessible by the TAP button). Continuous
controller messages have a value range of 0-127.
D
I
G
I
T
A
L
T
A
P
E
D
U
C
K
I
N
G
CC# Digital Tape Ducking
120 Level Level Level
121 Delay Time Delay Time Delay Time
122 Feedback Feedback Feedback
123 Low-Pass Freq. Cutoff Wow & Flutter Release Time
124 Input Level
Low-Pass Freq. Cutoff Ducking Threshold
TAPE Parameter value definitions
Level Amount of the Delay effect (0 is off, 127 is maximum)
Delay Time Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)
Feedback Number of Delay repeats (0 is 1 repeat, 127 is many repeats)
Wow & Flutter Amount of random volume and pitch changes – tape recorder nostalgia effect (0 is minimum fluctuation, 127 is maximum fluctuation)
Low-Pass Frequency Cutoff Brightness of the Delay signal (0 is darkest, 127 is brightest)
DIGITAL Parameter value definitions
Level Amount of the Delay effect (0 is off, 127 is maximum)
Delay Time Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)
Feedback Number of Delay repeats (0 is 1 repeat, 127 is many repeats)
Low-Pass Frequency Cutoff Brightness of the Delay signal (0 is minimum (dark tone), 127 is maximum brightness)
Input Level Signal level going into the Delay effect (versus output level controlled by the numbered DELAY knob) (0 is minimum, 127 is maximum)
DUCKING Parameter value definitions
Level Amount of the Delay effect (0 is off, 127 is maximum)
Delay Time Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)
Feedback Number of Delay repeats (0 is 1 repeat, 127 is many repeats)
Release Time Duration that the delayed signal is suppressed after “live” playing (input) stops (0 is shortest wait, 127 is longest wait)
Ducking Threshold Sensitivity of the ducking action to your playing strength (signal level) (0 in least reactive, 127 is most reactive)
Delay parameter
Continuous Controller
numbers
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
13
MIDI
System Exclusive Messages
Transferring Presets
You can transfer any preset between Cyber–Champ™ amplifiers or between a
Cyber–Champ™ amplifier and a computer.
CyberChamp to CyberChamp
Connect MIDI OUT on the transmitting amplifier to MIDI IN on the receiving
amplifier. Select the preset you want to send on the transmitting amplifier then
hold the BANK button for 2 seconds. After the preset buttons flash on the
receiving amplifier, hold any preset button for 2 seconds to save to that location
in the Players’ Lounge bank.
CyberChamp to Computer
Connect MIDI OUT on your Cyber–Champ™ amplifier to MIDI IN on your
computer. Open a new SysEx file in your MIDI utility application to accept the
preset transfer (dump). Select the preset you want to send on the
Cyber–Champ™ amplifier, then hold the BANK button for 2 seconds.
Computer to CyberChamp
Connect MIDI OUT on your computer to MIDI IN on your Cyber–Champ™
amplifier. Open a SysEx file containing a preset in your MIDI utility application
then initiate the transfer (dump). After the preset buttons flash on the
Cyber–Champ™ amplifier, hold any preset button for 2 seconds to save to that
location in the Players’ Lounge bank.
Selecting Effect Types and
Switching Hum Reduction On/Off
You can select effect types and turn Hum Reduction on or off using SysEx
messages. A sequencer or a computer with a MIDI capable soundcard and a
MIDI utility application are required for these functions. The SysEx messages
required for these operations are in Appendix 3 on page 16.
See Appendix 3 on page 16 for details.
Your computer must have a MIDI
capable soundcard with appropriate
adapters and you must have a MIDI
utility application such as Cakewalk™.
The last saved version of a preset is
actually what is transmitted—recent
(unsaved) edits are not transmitted.
See Appendix 2 on page 15 for details.
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
14
Appendices
NOTES:
The Cyber–Champ™ amplifier does not recognize or transmit System
Common messages.
All knob adjustments (even knobs not captured) are transmitted via MIDI
OUT. MIDI program changes and continuous controller changes are also
“echoed” through the MIDI OUT port. Another Cyber–Champ™ amplifier
connected as a receive MIDI device will “mirror” all these changes.
FUNCTION TRANSMITTED RECOGNIZED REMARKS
Basic Default 1 Omni Transmit Channel is fixed at 1.
Channel Changed X X
Default Mode 3 Mode 2
Mode Messages X X
Altered X X
Note Note Number X X
Number True Voice X X
Velocity Note ON X X
Note OFF X X
After Keys X X
Touch Channel X X
Pitch BenderXX
Control Change O O Continuous Controller Number
is fixed at 11.
Program Implemented O O All program changes in Bank #00.
Change True # 0 6, 10-16, 20-26, 0 6, 10-16, 20-26, Program changes to program 127 (any bank)
30-36, 40-46, 50-56 30-36, 40-46, 50-56 activates/deactivates the Tuner.
System Exclusive O O See Appendix 2, 3, 4
System Song Position X X
Common Song Select X X
Tune Request X X
System Clock X X
Real Time Commands X X
Local On/Off X X
Auxiliary All Notes Off X X
Messages Active Sensing X X
System Reset X X
GM ON X X
Mode 1: Omni On, Poly Mode 2: Omni On, Mono O: Yes
Mode 3: Omni Off, Poly Mode 4: Omni Off, Mono X: No
4
4
Appendices
Appendices
Appendix 1 MIDI Implementation Chart
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
15
Appendices
VALUE DESCRIPTION
F0H Start of System Exclusive Message
08H Fender Manufacturer ID
nnH nn = Device ID (minus one)
31H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version
ffH Function ID number: 02H = One Preset Dump
F7H End of System Exclusive Message
Appendix 2 SysEx MIDI Dump
This appendix contains tables describing the System Exclusive message
components and protocol for MIDI Dump. NOTE: The nomenclature for values
uses an H to designate that the one-byte value is expressed in Hexadecimal
(00H – FFH).
VALUE DESCRIPTION
F0H Start of System Exclusive Message
08H Fender Manufacturer ID
nnH nn = Device ID (minus one)
31H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version
ffH Function ID number: 02H = One Preset Dump
PnH Packet Number
Data Data bytes: The data bytes have been formatted following the MIDI Specification 1.0
cbH Checksum byte used for error checking
F7H End of System Exclusive Message
System Exclusive Packet
System Exclusive Header
VALUE DESCRIPTION
F0H Start of System Exclusive Message
08H Fender Manufacturer ID
nnH nn = Device ID (minus one)
21H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version.
ffH Function ID number: 01H = Utilities Message, 02H = One Preset Message
7BH End of System Exclusive File Byte
F7H End of System Exclusive Message
System Exclusive End of File Message
VALUE DESCRIPTION
F0H Start of System Exclusive Message
08H Fender Manufacturer ID
nnH nn = Device ID (minus one)
21H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version.
04H Message ID number for additional parameter controls.
23H ID number indicating request for a MIDI Dump
00H Unused Data Byte
00H Unused Data Byte
00H Unused Data Byte
ddH Dump ID byte: 01H = Transmit Utilities, 02H = Transmit One Preset
7BH End of System Exclusive File Byte
F7H End of System Exclusive Message
MIDI Dump Initiation Message
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
16
Appendices
Appendix 3 SysEx Effect Type/Hum Reduction
This appendix contains tables describing the System Exclusive message
components and protocol for selecting effect types and switching hum
reduction on and off. NOTE: The nomenclature for values uses an H to
designate that the one-byte value is expressed in Hexadecimal (00H – FFH).
System Exclusive Preset Edit Message
Parameter/Setting Table
VALUE DESCRIPTION
F0H Start of System Exclusive Message
08H Fender Manufacturer ID
nnH nn = Device ID (minus one)
21H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version.
05H Message ID number for additional parameter controls.
ddH Parameter ID number for additional parameter controls (See table below).
vvH Value for the parameter you wish to edit (See table below).
7BH End of System Exclusive File Byte
F7H End of System Exclusive Message
PARAMETER ID
PARAMETER ID NUMBER (ddH) VALUE (vvH)
Reserved 00H
Reverb Type Selection 01H 00H = Room
01H = Reserved
02H = Reserved
03H = Hall
04H = Reserved
05H = Reserved
06H = Arena
07H = Reserved
08H = Reserved
09H = Reserved
0AH = Spring
0BH = Reserved
0CH = Reserved
0DH = Reserved
0EH = Reserved
0FH = Reserved
Mod. F/X Type Selection 02H 00H = Chorus
01H = Reserved
02H = Reserved
03H = Flange
04H = Reserved
05H = Reserved
06H = Phaser
07H = Reserved
08H = Reserved
09H = Reserved
0AH = Tremolo
0BH = Reserved
0CH = Reserved
0DH = Vibratone
0EH = Reserved
0FH = Reserved
PARAMETER ID
PARAMETER ID NUMBER (ddH) VALUE (vvH)
Delay Type Selection 03H 00H = Reserved
01H = Digital
02H = Reserved
03H = Reserved
04H = Reserved
05H = Reserved
06H = Reserved
07H = Ducking
08H = Reserved
09H = Reserved
0AH = Reserved
0BH = Tape
0CH = Reserved
0DH = Reserved
0EH = Reserved
0FH = Reserved
Reserved 04H
Reserved 05H
Reserved 06H
Reserved 07H
Hum Reduction Selection 08H 00H = Off
01H = On
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
17
Appendices
Appendix 4 SysEx Handshake
Following the guidelines of the MIDI specifications, data is transmitted as
follows: First, the System Exclusive Header is sent. The amp will wait 200ms
to look for a handshake. If no handshake is received then the amp will transmit
the first data packet. The transmission continues until all the information has
been sent. After the last packet, the End of File message is sent. The
handshake messages the amp will respond to are:
Handshake System Exclusive Message
VALUE DESCRIPTION
F0H Start of System Exclusive Message
7EH Universal Message
nnH nn = Device ID (minus one)
hdH Handshake ID: 7CH = Wait, 7DH = Cancel, 7EH = Not Acknowledge, 7FH = Acknowledge
ppH Packet Number
F7H End of System Exclusive Message
Appendix 5 Troubleshooting
Appendix
6 Specifications
TYPE: PR 528
PART NUMBERS: 2290300000 (120V, 60Hz) USA 2290301000 (110V, 60Hz) TW
2290303000 (240V, 50Hz) AUS 2290304000 (230V, 50Hz) UK
2290305000 (220V, 50Hz) ARG 2290306000 (230V, 50Hz) EUR
2290307000 (100V, 50Hz) JPN 2290309000 (220V, 60Hz) ROK
POWER REQUIREMENTS: 180W
POWER OUTPUT: 65W @ 5%THD
RATED LOAD IMPEDANCE: 8
SPEAKER COMPLEMENT: One 12”, 8 Celestion® G12P-80 (P/N 005985000)
FUSES PRIMARY: F4A 125V (100V, 120V units), F1.6A 250V (230V, 240V units)
SECONDARY: T1A 250V (digital supply, all units)
MIDI JACKS: IN, OUT
PHONES JACK: 1/4” Stereo
DIMENSIONS HEIGHT: 17.25 in (43.8 cm)
WIDTH: 18.5 in (47.0 cm)
DEPTH: 9.5 in (24.1 cm)
WEIGHT: 30 lb (13.6 kg)
Product specifications are subject to change without notice.
PROBLEM SOLUTIONS
No sound coming from the amp • Remove anything plugged into the PHONES jack. • Switch TUNER off.
• Capture and turn all knobs above minimum.
The amp is not responding to any MIDI Program • Make sure the MIDI cables are connected properly.
Change messages from external devices
The amp is not responding to any MIDI Continuous • Make sure the Continuous Controller number matches the default value or one of the
Controller messages from external devices
predefined numbers (see page 14). • Make sure the MIDI cables are connected properly.
The amp is not responding to any MIDI System • Make sure the MIDI cables are connected properly.
Exclusive messages from external devices
The unit is unresponsive but has some • Turn the power on and off. If still unresponsive, make note of which lights are on or
blinking or lit lights (buttons or LEDs) blinking (fast or slow). Call an authorized Fender® service center with this information.
To locate MIDI resources online, visit: www.midi.org
If a problem persists, consult an authorized Fender® Service Center, or point your browser to: www.fender.com or www.mrgearhead.net and click on support.
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
18
Este símbolo advierte al usuario sobre los altos
niveles de voltaje existentes en el interior de la
unidad.
Este símbolo indica al usuario que lea toda la
documentación adjunta para utilizar la unidad con
seguridad.
Lea las instrucciones atentamente y sígalas al pie de la letra.
Tenga en cuenta todas las advertencias.
Conecte el cable de alimentación eléctrica únicamente a una
toma de CA de acuerdo con las especificaciones de voltaje y
frecuencia que se indican bajo INPUT POWER en el panel
posterior de este producto.
ADVERTENCIA: Para evitar daños, incendios y descargas
eléctricas, no exponga esta unidad a la lluvia ni a la humedad.
Antes de limpiar el exterior de la unidad, desconecte el cable
de alimentación de CA (utilice únicamente un paño húmedo).
Deje que la unidad se seque completamente antes de volver a
conectarla a la corriente.
Asegúrese de que haya al menos 6 pulgadas (15 cm) de
espacio libre en la parte posterior de la unidad para una
correcta ventilación y refrigeración.
Este producto deberá situarse lejos de fuentes de calor tales
como radiadores, registros de calefacción u otros productos
que generen calor.
Es posible que este producto esté equipado con un enchufe
polarizado (una clavija más ancha que la otra) para una mayor
seguridad. Si no puede introducir el enchufe en la toma de
corriente, póngase en contacto con un electricista para que la
cambie, ya que podría no ser compatible. No modifique la
función de seguridad de este enchufe.
• Evite que el cable de alimentación sufra cualquier daño.
Este producto deberá ser reparado por personal cualificado en
los casos siguientes: si el cable de alimentación o el enchufe
está dañado; si se ha caído algún objeto o se ha derramado
líquido sobre el producto; si el producto ha estado expuesto
a la lluvia; si su funcionamiento y rendimiento no son normales;
si ha sufrido algún golpe o la caja esta dañada.
No utilice soportes para el producto que no sean los
recomendados por el fabricante.
El cable de alimentación de este producto deberá estar des-
conectado de la toma de corriente cuando no se vaya a utilizar
durante un largo período de tiempo o en caso de tormenta
eléctrica.
• No moje la unidad ni ponga recipientes con líquido sobre ella.
ADVERTENCIA: La reparación de las piezas del interior de la
unidad sólo la puede realizar personal cualificado.
Los sistemas de amplificadores y altavoces Fender
®
pueden
producir niveles muy elevados de sonido, que pueden
provocar daños temporales o permanentes en el oído. Tenga
cuidado al establecer y ajustar los niveles de volumen durante
la utilización.
DECLARACIÓN DE CONFORMIDAD CON LA FCC
Este equipo ha sido probado y se ha determinado que
cumple con los requisitos para los dispositivos digitales de
Clase B, de acuerdo con el apartado 15 de la normativa de
la FCC. Estas restricciones tienen como finalidad propor-
cionar una protección razonable frente a interferencias en
instalaciones residenciales. Este equipo genera, utiliza y
puede emitir energía en forma de frecuencias de radio; si no
se utiliza según las instrucciones, puede provocar inter-
ferencias en las comunicaciones por radio y no se garantiza
que no se produzcan interferencias en determinadas
instalaciones. Si este equipo causara interferencias en la
recepción de radio o televisión, lo cual se puede determinar
encendiendo y apagando el equipo, el usuario puede intentar
corregirlas mediante una o varias de las medidas siguientes:
coloque en otro lugar la antena de recepción o cambie su
orientación, aumente la separación entre el equipo y el
receptor, conecte el equipo a un circuito o a una toma de
corriente distintas a las del receptor. Si necesita ayuda,
consulte a su proveedor o a un técnico especialista en
radio/TV.
ES UN PRODUCTO DE:
FENDER MUSICAL INSTRUMENTS CORPORATION
CORONA, CA, EE.UU.
Copyright © 2003, FMIC
Las marcas comerciales
Blackface™, Cyber-Champ™, Champ
®
, Cyber–Twin™, Cyber-Series™,
Deluxe™, Dyna–Touch™, Mr. Gearhead™, Virtual Tone Interpolation™,
Bassman
®
, Deluxe Reverb
®
, Fender
®
, Princeton
®
, Twin Reverb
®
y sus logotipos son marcas comerciales o marcas comerciales registradas de FMIC.
Las demás marcas comerciales son propiedad de sus respectivos titulares.
II
II
nn
nn
ss
ss
tt
tt
rr
rr
uu
uu
cc
cc
cc
cc
ii
ii
oo
oo
nn
nn
ee
ee
ss
ss
dd
dd
ee
ee
ss
ss
ee
ee
gg
gg
uu
uu
rr
rr
ii
ii
dd
dd
aa
aa
dd
dd
ii
ii
mm
mm
pp
pp
oo
oo
rr
rr
tt
tt
aa
aa
nn
nn
tt
tt
ee
ee
ss
ss
Amplificador CyberChamp
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
19
El nuevo amplificador Cyber-Champ™ ha sido
desarrollado por el mismo equipo que creó los amplifi-
cadores Cyber–Twin™ y Cyber-Deluxe™ de Fender
®
. Los
amplificadores Cyber–Series™ son los logros más
importantes del proyecto de investigación y desarrollo
más innovador de Fender y están dotados de la exclusiva
tecnología
Virtual Tone Interpolation
de Fender (número
de patente 6.222.110). La tecnología VTI™ permite
convertir el amplificador Cyber-Champ™ en distintos
amplificadores según el diseño de circuitos. Comenzando
por un panel de circuitos virtual, el amplificador Cyber-
Champ™ “cambia las conexiones” de su arquitectura
básica para convertirse en la esencia de algunos de los
amplificadores de mayor calidad: Blackface™ de Fender,
Dyna–Touch™, los amplificadores Tweed y Modern, e in-
cluso en los mejores amplificadores British.
El amplificador Cyber-Champ™ le permite diseñar su
propio amplificador. Comience por uno de los 14 diseños
de amplificador permanentes y configuraciones de
efectos que contiene el amplificador Cyber-Champ™:
gire algunos botones, realice algunos cambios y guárde-
los en una de las 7 ubicaciones de configuraciones
predefinidas que se pueden modificar reservadas en la
placa para sus propios diseños originales de amplificador.
La implementación MIDI del amplificador Cyber-Champ™
le permite transferir configuraciones predefinidas para
realizar copias de seguridad en un PC o para inter-
cambiarlas con otros intérpretes que utilicen el amplifi-
cador Cyber-Champ™.
El amplificador Cyber-Champ™ pone a su disposición
una gran variedad de efectos con calidad de estudio:
efectos de Reverb, modulación y Delay suficientes para
satisfacer al oído más exigente. Muchos de ellos son en
estéreo, por lo que puede utilizar el conector de
auriculares para disfrutar de una dimensión estéreo
ambiental completa. El altavoz Celestion
®
y el circuito de
amplificación Dyna-Touch™ del amplificador Cyber-
Champ™ le proporcionan a usted y a su audiencia un
sonido potente y repleto de sensaciones. No suena sólo
“en papel”.
21 configuraciones de amplificación predefinidas seleccionables mediante los botones de banco y de configuración predefinida
o mediante un controlador de MIDI:
14 configuraciones predefinidas permanentes: podrá disponer siempre de excelentes configuraciones de amplificador
y efectos
• Banco Custom Shop de Fender
®
: 7 combinaciones de amplificador y efectos de gran calidad
• Banco Your Amp Collection: 7 amplificadores clásicos “tradicionales”
7 configuraciones predefinidas que se pueden modificar: permiten crear y almacenar configuraciones personalizadas de
amplificador y efectos en el banco Players’ Lounge
• 3 bancos de efectos con calidad de estudio que se pueden utilizar de forma simultánea:
• 4 tipos de reverb con niveles seleccionables y parámetros a los que se puede acceder mediante MIDI
• 5 tipos de efectos de modulación con niveles seleccionables y parámetros a los que se puede acceder mediante MIDI
• 3 tipos de efectos delay con niveles seleccionables y parámetros a los que se puede acceder mediante MIDI
• Implementación MIDI:
27 controles continuos para ajustar los parámetros del amplificador mediante equipos MIDI externos (secuenciador,
ordenador, pedal o amplificador Cyber–Series
)
El controlador continuo con definición de configuraciones predefinidas permite controlar mediante el pedal los parámetros
programables
• Funcionalidad de operaciones exclusivas del sistema para la administración selectiva de configuraciones predefinidas
• Puertos de entrada y salida MIDI, MIDI IN y MIDI OUT, en el panel frontal
• La tecnología Virtual Tone Interpolation™ ofrece 7 selecciones de tipo de amplificador con tone stacks situados antes
o después de los circuitos de conducción
• El algoritmo de reducción de zumbido (pendiente de patente) busca y elimina de forma activa el “zumbido” ambiental
• Afinador cromático digital incorporado
• 65 vatios de potencia de salida
• Altavoz Celestion
®
de 12" y 8
• Conector de salida de línea/auriculares estéreo
CC
CC
aa
aa
rr
rr
aa
aa
cc
cc
tt
tt
ee
ee
rr
rr
íí
íí
ss
ss
tt
tt
ii
ii
cc
cc
aa
aa
ss
ss
GG rr aacc ii aa ss pp oo rr ee ll ee gg ii rr FF ee nn dd ee rr
®®
SSoo nn ii dd oo ,, tt rraa dd ii cc ii óó nn ee ii nn nn oo vv aa cc ii óó nn dd ee ss dd ee 11 99 44 66 ..
II
II
nn
nn
tt
tt
rr
rr
oo
oo
dd
dd
uu
uu
cc
cc
cc
cc
ii
ii
óó
óó
nn
nn
Amplificador CyberChamp
wwwwww
..
ffeennddeerr..ccoomm
wwwwww
..mmrrggeeaarrhheeaadd..nneett
20
Conceptos básicos de utilización
Configuraciones predefinidas y bancos
El Cyber-Champ™ se reconfigura instantáneamente cada vez que se
selecciona una configuración predefinida. Utilice los botones de confi-
guraciones predefinidas para seleccio-
nar una configuración predefinida en el banco actual. Pulse el botón BANK
y, a continuación, un botón de configuración predefinida para seleccionar
una configuración predefinida de otro banco. Tenga en cuenta que, al
seleccionar una configuración predefinida, la posición de cada botón no refleja
su configuración real (excepto por casualidad) mientras no se capture…
Ca
ptura de botones
Para poder ajustar el valor de un botón, debe “capturarlo” previamente. Para
ello, gire el botón hasta que se ilumine el indicador LED adyacente. Una vez
capturado, los ajustes posteriores se pueden escuchar y se realizan de forma
inmediata.
Guar
dar configuraciones predefinidas
Los valores de los botones capturados se liberan al seleccionar una configu-
ración predefinida …no obstante, para guardar todas sus configuraciones
actuales sólo tiene que mantener pulsado cualquier botón de configuración
predefinida durante 2 segundos. La nueva configuración predefinida se
guardará en el banco Players’ Lounge, asignada al botón pulsado. La nueva
configuración predefinida se activa automáticamente.
A. CONECTOR INPUT (ENTRADA)
Conexión de entrada para la guitarra. El nivel de entrada se ajusta automáticamente
para asegurar que se envíe el nivel de señal adecuado a los circuitos DSP.
B. GAIN (GANANCIA)
Controla el nivel de distorsión de la señal y contribuye al volumen global del amplificador.
Utilice el botón VOLUME {C} para ajustar (normalizar) cualquier cambio de nivel de
volumen que no desee provocado por un cambio en el nivel del parámetro GAIN.
C. VOLUME (VOLUMEN)
Controla el nivel la señal post-distorsión y contribuye al volumen global del amplificador.
Utilice este botón junto con GAIN {B} para normalizar las diferencias de volumen entre
configuraciones predefinidas.
-40
GAIN
VOLUME
-10
+
+
+
+
+
+
+
+
+
+
+
INPUT
+
+
+
+
+
+
+
+
+
+
+
-40
GAIN
VOLUME
TREBLE
MIDDLE
BASS MASTER
INPUT
PHONES
IN
OUT
MIDI
REVERB
MOD. F/X DELAY
PHASER
A
R
E
N
A
H
A
L
L
R
O
O
M
S
P
R
I
N
G
C
H
O
R
U
S
V
I
B
R
A
T
O
N
E
T
R
E
M
O
L
O
D
I
G
I
T
A
L
T
A
P
E
D
U
C
K
I
N
G
+40-10 +10
F
L
A
N
G
E
IN TUNE
CUSTOM SHOP
AMP COLLECTION
PLAYERS LOUNGE
1
1
Descripción general
Descripción general
Cada una de las configuraciones
predefinidas contiene un conjunto
completo de valores de efectos y
amplificación.
Hay tres bancos de configuraciones
predefinidas:
CUSTOM SHOP Permanente
AMP COLLECTION Permanente
PLAYERS’ LOUNGE Modificable
Para capturar (tomar el control de) un
botón, gírelo hasta que el indicador
LED adyacente se ilumine.
La captura se produce cuando el
valor del botón coincida con el valor
real (interno) almacenado en la
configuración predefinida actual.
Puede guardar 7 configuraciones de
amplificador y de efectos propias en
el banco de configuraciones pre-
definidas Player’s Lounge.
Descripción general
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100

Fender Cyber-Champ Bedienungsanleitung

Kategorie
Digitale Klaviere
Typ
Bedienungsanleitung